Why history can help make you happier.
Why history can help make you happier.
History, in the
form of cultural heritage, is a much about the present as the past. Here we argue that the way in which people
engage with local history can help to promote community wellbeing – and their
own wellbeing along with it.
The reasons for
this is that it helps to develop cultural and social capital, it helps to
mobilize community members and resources (for example through volunteering) and
it helps to create place identity and civic pride. In addition it can help to
boost economic prosperity in marginal areas. Here we demonstrate how this
happens with reference to two very different rural communities: the Outer
Hebrides (a string of islands on the Western coast of Scotland) and Portsoy (an
old harbour town on the north coast of Scotland).
In the Outer Hebrides, a series of local
history organisations were set up in local settlements to document the links
between past and present through people, the crofts they lived in, the land
they farmed, the boats they fished from, the landscape and language they
shared. Starting in the 1980s they were
termed the Commain Eiachdriadh,
reflecting the use of the Gaelic language on these islands. This interest in cultural heritage brought
together members of the community to reminisce, to collect stories and to sort
through documentation as a collective project.
This was used to help visitors to the villages, who were often
researching family history and for whom the Commain
Eichdriadh formed an invaluable source of local knowledge. Some of the Commain Eichdriadh became so successful that they took over the local
school house and turned it into a community resource. This included opening
museums, cafes and in some cases local stores to serve the scattered
population. In one case (Ravenspoint) it
led to the construction of a petrol station and a community land buyout. A website Hebridean
Connections was set up to digitize materials and make them publicly
accessible. With a large Scottish diaspora community in the New World this
meant that there was keen international interest in this local heritage. Hence, cultural capital was generated and
shared from community knowledge, social capital was enabled by encouraging
meetings and local connections, whilst civic pride and identity was generated
through this interest in local heritage.
This had economic spin offs. People
visited, grants were obtained for the various projects and one
Commain Eiachdriadh created a
thriving publishing house for local materials. As one participant put it:
I
think the word in itself says that: ‘community’; because it is bringing
something together which is common to us all. We don’t get together that much,
as a community, as people here – as they used to in the past. And if you’ve got
something like this and it will drag people together, then it’s a good thing.
We need something in our communities actually to keep the people coming
together as a community and if we didn’t do it, it would be just another bit
that was lost.
And another
participant told us:
Not
people looking in and telling you what you should be doing or exploring your
differences and making out that you are freaks because of what you believe in,
what you do, way of life and so on. So I think that’s the strength of a Comain Eachdraidh – showcasing
ourselves.
In Portsoy, the rundown nature of the seventeenth
century burgh town with an aging population in a marginal area on the Moray
Firth reflects the fate of many seaside and former fishing towns in Britain.
But in 1993 a boat festival was set up to celebrate the renovation and 300th
anniversary of the opening of the “new” harbour (built in 1825). Starting as something very small and
localised at first, the Portsoy Traditional Boat festival has grown over the
years to attract upwards of 16 000 visitors
over a weekend in June. There are races
and displays of lovingly restored boats and newly built ones using traditional
skills. As in the Outer Hebrides, this participation in cultural heritage soon
led to a variety of other community activities.
It lead to the restoration of some old buildings, including an old
salmon storage facility which is now a fishing museum. Above the museum a meeting room houses a
magnificent tapestry of the harbour knitted by local people. The meeting room also hosts music sessions,
knitting club, film screenings….. as well as meetings related to local history.
A facebook pages shares old photos and discusses them. More recently, Portsoy Community Enterprises
was formed and has taken over a camping site from the local council, then
restored an old sail house for bunkhouse accommodation (opened by HRH Prince
Charles in 2017). Now Portsoy is a thriving town, many of the local businesses
have had a new lease of life and the Boat Festival is recognised as one of the
main events in the region. It has
further generated activities for local youth and funds are used for improving
and maintaining footpaths and other amenities. As the CEO of Portsoy Community
Enterprises told us:
Yes,
it started off as boats….it was very much about boats and round the harbour
there were stalls which included community organisations, the RNLI (Royal
National Lifeboats Institution) and others…Music was also there, but
incidentally..the music developed steadily… I am not sure when food first
appeared…So it kind of, yeah, grew like Topsy, I can’t think of any other way
to describe it. But I think, wittingly
or unwittingly, the intention was always for it to be a celebration of the
cultural heritage of the area. I think
it’s taken a while for that to be put down on paper but I think it had
naturally become that and the music was always focused more on traditional
music and of course the area is very rich in traditional music. And the food was always local. What I term ‘artisan’ companies demonstrating
and selling their products. So it kind
of grew by chance and then again, probably more unwittingly than wittingly, it
began to evolve into this encapsulation of the cultural heritage of the North
East (of Scotland).
Or as a
Community Councillor told us:
I
mean, come the Boat Festival, there must be circa 300 people [out of 2000] involved
in the community and that’s fantastic…We’re just very lucky – we’ve got a lot
of people who are prepared to put in a lot of very hard work. People who are very competent as well…. I
think it’s involvement, I think it’s because it is something that people can
involve themselves in and truly contribute ….. and there’s pride in it – people
who like to say “Yeah, I’m from Portsoy.”
To see how often almost across the country now and increasingly overseas
people say “Portsoy – yes the Boat Festival”.
I think all those things mean that there is an energy and it’s
self-driving.” (Community Councillor
Portsoy)
Cultural capital
is generated and disseminated from the interest in local history. Social capital is thriving as a large
proportion of the population of around 2000 people volunteer for one thing or
another or are involved in one or other event.
The interest in cultural history has raised the profile of the town and
helped to restore it, giving it a sense of pride and identity.
Hence an
interest in local cultural heritage helps to create a better quality of life
for residents in remote and economically marginal rural locations. Of course there can be others ways of
generating cultural and social capital, but an interest in local history does
seem to galvanise large parts of the population, especially if there are many older
and retired people (as there are in rural communities). Furthermore, an interest in local cultural
heritage bridges the divides between locals and incomers, between younger and
older members and between the local community and the outside world.
The research on
which this material is based is published as:
David Beel and Claire Wallace „Gathering together: social
capital, cultural capital, the value of cultural heritage in a digital age“ Social and
Cultural Geography (with David Beel)
David Beel,
Claire Wallace, Gemma Webster, Hai Nguyen, Marsailli Macleod, Elisabeth Tait
and Chris Mellish, “Cultural resilience: the production of rural community
heritage, digital archives and the role of volunteers” (2017) Journal of
Rural Studies 54:459-468
Claire
Wallace, Kathryn Vincent, Cristian Luguzan, Leanne Townsend and David Beel “Information
Technology and social cohesion. A tale of two villages” (2017) Journal of
Rural Studies 54: 426-434
David Beel, Claire Wallace, Gemma Webster and Hai
Nguyen “The Geographies of Community History Digital Archives in Rural Scotland”
(2015) : Scottish
Geographical Journal.131
(3-4) :201-211
Elizabeth Tait, Marsaili MacLeod, David Beel, Claire Wallace,
Chris Mellish, Stuart Taylor “Linking
to the past: An Analysis of Community Digital Heritage Initiatives” (2013)
e proceedings ASLIB http://www.emeraldinsight.com/journals.htm?issn=0001-253x&volume=65&issue=6&PHPSESSID=opd75eopcdcpiu13l0h5tqg8g4
e proceedings ASLIB http://www.emeraldinsight.com/journals.htm?issn=0001-253x&volume=65&issue=6&PHPSESSID=opd75eopcdcpiu13l0h5tqg8g4
Claire Wallace and David Beel “How cultural heritage
can contribute to community development and wellbeing” in “Researching Happiness: Qualitative, Biographical and Critical
Perspectives” Edited by Mark Cieslik and Laura Hyman) Policy Press,
Bristol, forthcoming
We wish to
acknowledge funding from dot.rural Digital Economy Hub funded by the
Research Councils UK between 2009 and
2015 EP/GO6651/1 and Culture and Communities Network+ EP/KOO3585/1,
2012-2016 and EVIDANCE “Exploring Value
in Digital Archives and Commainn Eiachdriadh” AH/L006006/1 2012-14
Photo
of Portsoy Traditional Boat Festival taken from BBC News 26th June
2010
Photo
of Ness Museum (old school house) taken by the author
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